co-creating futures

Like David Warlick, I had not read this wonderful Chinese quote before:

If you are thinking a year ahead - plant seeds;
If you are thinking 10 years ahead - plant a tree;
If you are thinking 100 years ahead - educate the people

In the next breath I read Dean Sharesky's latest posting about how the book destroyed the community. Then I remembered Scott McLeod's recent post on what students want in an e-textbook - see the graphic on the right.

Together, these three are a most powerful argument. The first sets the context - it speaks of the power of education and its impact on the destiny of a people. The second refers to a predisposition (perhaps a desire to live in the past) that the way they learned something or did something is superior to what's available now or what happens now. The third speaks to what the current student generation wants in order to successfully shape its destiny and create the best tomorrow (and today) possible.

Dean has built a persuasive "business case" to rethink the nature and role of traditional paper books, and their real implications. I must admit I had never thought of books as an anti-community catalyst, though it's hard to argue the point given Dean's post. Moreover it also opens up the question of whether a traditional book is even the best way to read.

I love books and read as much as I can, but surely there are better ways to enrich the conversation? There is an argument that a book sparks the imagination and helps create a more vivid experience and impression of the author's story. I would normally agree, but then I look at how my good friend Clyde Ford has incorporated an enriched geo-spatial dimension in the e-experience of his latest book Precious Cargo; and now believe that this is actually a much better, more vivid, and imagination-sparking approach to reading.

There is a tendency to view technology as an anti-social medium. But in talking with Clyde, I know his vision is for adults and children alike to interact with his book. To learn virtually first-hand about the places his characters traveled, visualize, annotate, share their impressions and experiences, and ideally be inspired to show off their own world (both real and imagined) using similar (or what the heck, altogether different!) tools and techniques. He believes that this is a way to spark a broader embracing of literariness, literature and self-expression. I agree.

I also think it's a way to evolve the mainstream definition of literature and expression, and maybe even learning. If mashups were one starting point for this journey, why not expand the idea and open books up to the same capability? Might that inspire more people to read and express? Might it inspire deeper learning and understanding? If greater learning occurs through the process of teaching, then I think so.

Talking of self-expression, Scott has pointed us to a fantastic analysis that shows what students want in order to become better learners.

Participation creates vestedness - if students participate in the design and potentially creation of their texts, then don't we get better results? If people in general are able to participate in the consumption (and creation) of content, don't we get improved appreciation of that content?

Isn't that the ideal outcome?